TDR: The Journal of Performance Studies.  Fall/Winter 2012.

As the Science Gallery of Dublin’s Trinity College celebrate 10 years of art-science collaboration at SymbioticA, how are artists and critics articulating the politics of bioart?  Recasting the Tissue Culture and Art Project’s Pig Wings Project (2002) within a genealogy of feminist maintenance art, “Regeneration” highlights bioart’s capacity to engage meaningfully with gender, race, and class in biotechnology.